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Concept · High-ticket objects · PDP design · Concept build

FORME

High-ticket objects need slower pages. A lighting and ceramics storefront that sells $480 lamps with patience.

Client
Self-initiated
Sector
Home · Lighting & ceramics
Market
US (concept)
Role
Strategy, UX, art direction, front-end
Timeline
2026
Scope
Editorial PDP · Editions · Material storytelling · 3D
FORME

When an object costs as much as a weekend away, the page’s job is to justify the price before showing it. FORME explores numbered editions, material chapters (clay, glaze, glow) and technical drawings as trust signals.

Self-initiated concept. Brand, products and prices are fictional, built to test ideas I bring to client work.

Outcomes
120numbered pieces per edition
3material chapters before the price
1:1technical elevation on every PDP
01

Price, earned

Clay, glaze, glow: three short chapters on what the object is made of and how. By the time the price appears, it reads as a consequence, not a claim.

FORME · forme.studio/aurea
Fig. 01Three material chapters before any price.
  1. 1Material: where it comes from
  2. 2Surface: how it is made
  3. 3Light: what it does in a room
02

Drawings as trust

Elevation drawings with real dimensions answer “will it fit?”, the high-ticket version of a size guide.

FORME · forme.studio/aurea
FORME · forme.studio/collection
Fig. 02Technical drawing and the collection.
  1. 1Elevation with real dimensions
  2. 2Numbered edition of 120
  3. 3Price at the end of the story
Design decisions

The system behind the screens

A $480 lamp is bought slowly. FORME borrows the pace and typography of an exhibition catalogue so that time spent on the page builds conviction instead of doubt.

A

Color

#F1EBDD Ivory Gallery wall 16.0:1 · AAA
#4A1119 Oxblood The glaze; hero and actions 12.8:1 · AAA
#B4593A Terracotta Clay, small accents 4.0:1 · AA large
#CDBFA5 Travertine Plinths and planes 10.5:1 · AAA
#1D0A0D Ink Text 16.0:1 · AAA

Every color is a material in the photographs: glaze, clay, travertine. The interface is painted with the objects themselves.

B

Typography

Cormorant Garamond400 · -0.01em

Light is a material.

Display · object namesCatalogue serif with long ascenders: calm and expensive.

Inter400 · 0.12em · caps

Fig. 01 · Elevation · Ø 34 cm

Captions · specificationsFigure captions like a museum label.

C

Grid & spacing

Columns
12
Max width
1600px
Gutter
32px
Base unit
8px
8
16
32
48
80
128

Generous 128 px pauses between chapters: whitespace is the luxury signal.

D

Decisions, and why

  1. 01

    Price after three chapters

    WhyMaterial, surface and light justify the number before it appears.

    Instead ofPrice next to the hero image.

  2. 02

    Technical drawing as reassurance

    Why“Will it fit on my sideboard?” is the high-ticket size question.

    Instead ofA dimensions line buried in specs.

  3. 03

    Numbered editions

    WhyScarcity that is true and checkable.

    Instead ofA countdown timer.

E

Schema

Page pace
  1. 01Object
  2. 02Clay
  3. 03Glaze
  4. 04Glow
  5. 05Drawing
  6. 06Price
Screens · 04 Drag · click to enlarge
FORME · 01
FORME · 02
FORME · 03
FORME · 04
Stack
  • HTML · CSS · JS
  • Three.js
  • GSAP
Deliverables
  1. Brand & art direction
  2. Editorial PDP
Next project · 07 Alero Concept · Service lead generation
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